A jaunty investigation into typeface, linguistics, and literature, the paintings feature letters spliced together from Gaelic texts in the Mount Stuart archive and the artist’s own collection. Some letters hop and wink, others languish across the canvas in long tonal vowel sounds. The result is a permutation of language, in which the letters themselves seem to be conducted by Byrne’s own hand, punctuating the canvas. Looking at a Byrne painting is a visual exercise that likens itself to reading music.